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Reviews

Daniel Adeosun as Antipholus of Syracuse and Phoebe Naughton as Courtesan in The Comedy of Errors at Shakespeare's Globe. Photo Marc Brenner
30 Aug
Reviews
Stuart King

Review: THE COMEDY OF ERRORS at Shakespeare’s Globe

Sean Holmes and Naeem Hayat co-direct the Bard’s shortest and possibly most riotous offering THE COMEDY OF ERRORS — currently being staged at Shakespeare’s Globe. And what an ebullient burst of madcap mayhem, the misadventures prove to be.

Daniel Adeosun as Antipholus of Syracuse and Phoebe Naughton as Courtesan in The Comedy of Errors at Shakespeare's Globe. Photo Marc BrennerDaniel Adeosun as Antipholus of Syracuse and Phoebe Naughton as Courtesan in The Comedy of Errors at Shakespeare's Globe (© Marc Brenner)

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Sharon Duncan-Brewster (Denise) in Death of England: CLOSING TIME. Credit - Helen Murray
29 Aug
Reviews
Stuart King

Review: DEATH OF ENGLAND: CLOSING TIME @SohoPlace

Following on from the two previous instalments (MICHAEL and DELROY), the final part in the DEATH OF ENGLAND trilogy CLOSING TIME opened @SohoPlace on Wednesday evening, providing a fitting conclusion to the most energised and visceral State of the Nation commentary on current English society for a decade.

Sharon Duncan-Brewster (Denise) in Death of England: CLOSING TIME. Credit - Helen MurraySharon Duncan-Brewster (Denise) in Death of England: CLOSING TIME. Credit - Helen Murray.

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much ado about nothing globe theatre
26 Aug
Reviews
Shehrazade Zafar-Arif

First Look: MUCH ADO ABOUT NOTHING at Globe Theatre

Sean Holmes’ frothy, outlandish production of Much Ado About Nothing will be performing at Shakespeare’s Globe until August 24th.

much ado about nothing globe theatreMuch Ado About Nothing Artwork.

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The cast of The Fabulist at Charing Cross Theatre. Photo by Mark Senior
20 Aug
Reviews
Stuart King

Review: THE FABULIST at Charing Cross Theatre

These days, Giovanni Paisiello’s name will only be known to the most ardent of Opera buffa/Commedia dell’Arte aficionados. However, during his lifetime he was celebrated as one of the greatest living composers, enjoying considerable royal patronage, fame and renown. Eclipsed by the likes of Rossini and Mozart his work is rarely performed today, but the music for his opera The Imaginary Astrologer has been used by James P Farwell in creating THE FABULIST.

The cast of The Fabulist at Charing Cross Theatre. Photo by Mark SeniorThe cast of The Fabulist at Charing Cross Theatre. Photo by Mark Senior.

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Nadia Nadarajah as Cleopatra in Antony and Cleopatra at Shakespeare's Globe (c. Ellie Kurttz)
15 Aug
Reviews
Stuart King

Review: ANTONY AND CLEOPATRA at Globe Theatre

The proclivities and shenanigans of ancient world titans was brought to a wider audience in 1606, when William Shakespeare retold the tale of the Roman triumvirate of Mark Antony, Octavius Caesar and Lepidus… and a woman of legendary beauty.

Nadia Nadarajah as Cleopatra in Antony and Cleopatra at Shakespeare's Globe (c. Ellie Kurttz)Nadia Nadarajah as Cleopatra in Antony and Cleopatra at Shakespeare's Globe (c. Ellie Kurttz)

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