When Jade (Georgia Grant-Anderson) gets left behind on a school trip to a local museum, she dares to peer behind the screens of an (as yet) unopened exhibit, where soon begins a personal voyage of discovery.
Having taken the initial illicit peak, she finds herself accompanied by an array of female mould breakers, all of whom have contributed significantly to the world’s knowledge and societal advancement. First up, are aviatrix Amelia Earhart, First Nation tracker Sacagwea and swimmer Gertrude Ederle. Joined by suffragette supremo Emmeline Pankhurst, we are further introduced to novelist Jane Austen, palaeontologist Mary Anning, painter Frida Kahlo, scientist Marie Curie, Crimean nurse Mary Seacole and Rosa Parks whose simple stand to remain seated (when instructed to give up her space to a white person on an Alabama bus), became the rallying call for the racial equality movement in America.
Assembled as ingredients, it sound as though they would result in a rather stodgy and didactic concoction, but when the mix incorporates spunky pop-style songs delivered with lively, energised choreography, stylised costumes and uplifting, positive messaging, the piece takes on a far more vibrant and playful tone which is delivered in spades by the 4 main players joining Jade on her quest for enlightenment. Elena Breschi, Meg Hateley, Anelisa Lamola and Charlotte Jaconelli each play multiple roles with the joshing aplomb of an older sister who has seen it, done it, and is there to support and encourage the upcoming generation. The over all effect is incredibly joyous, fun, slick and a testament to the entire, (overwhelmingly female), creative team, especially on stand-out numbers like Where Do You Want To Go? A World Of Colour and Rosa’s Lullaby.
Musicians: Audra Cramer, Isis Dunthorne and Nicola T Chang.
Writers: Chris Bush, Miranda Cooper and Jennifer Decilveo.
Production team includes, director Amy Hodge, choreographer Dannielle ‘Rhimes’ Lecointe, set and costumes by Joanna Scotcher.