Miriam enjoys going to the theatre as an escape from the crippling horror of adult life. Her favourite shows are Cabaret, Tusk Tusk and Home, I’m Darling. She will tell anybody who's listening about the time she met Lin-Manuel Miranda.
Miriam Gibson
First Look: THE LEHMAN TRILOGY at Gillian Lynne Theatre
By Miriam Gibson Tuesday, October 1 2024, 10:14
In 2008, Lehman Brothers bank collapsed during the global financial crisis. The bank had began over 160 years earlier as a small shop in Alabama. Returning to the Gillian Lynne Theatre, The Lehman Trilogy tells the story of the organisation from beginning to end and, through it, the story of a family and a country.
John Heffernan, Howard W. Overshown, Aaron Krohn in The Lehman Trilogy 2024. Photo by Kevin Berne
Review: THE BAKER'S WIFE at Menier Chocolate Factory
By Miriam Gibson Friday, July 26 2024, 11:17
With the screen version of Stephen Schwartz's Wicked due out later this year, The Menier Chocolate Factory is staging his earlier, smaller-scale musical, The Baker's Wife. It's an uneven piece, bolstered by a strong cast and lively staging.
THE BAKER'S WIFE at Menier Chocolate Factory
Review: Guys and Dolls, Bridge Theatre
By Miriam Gibson Thursday, March 21 2024, 11:18
“Immersive Guys & Dolls,” is a concept nobody asked for- but Nick Hytner’s slick, inventive and gigantically fun production elevates an already terrific musical. It’s London’s best night out.
Jonathan Andrew Hume in Guys & Dolls at the Bridge Theatre
Review: A STRANGE LOOP, Barbican Theatre
By Miriam Gibson Friday, June 30 2023, 16:05
A Strange Loop by Michael R. Jackson arrives at the Barbican this Summer after winning both a Tony and a Pulitzer Prize in New York. Meta and messy, it’s the story of a fat, queer Black man wrestling with identity and intrusive thoughts.
Danny Bailey and Kyle Ramar Freeman in A Strange Loop. Credit: Marc Brenner
Review: THE CRUCIBLE, Gielgud Theatre
By Miriam Gibson Thursday, June 15 2023, 13:40
"There are wheels within wheels in this village, and fires within fires", warns the Reverend John Hale gravely. That village would be Salem, Massachusetts, where witchcraft, rumours, grudges and hysteria abound, in this gripping and intense production of Arthur Miller's classic play.
Nia Towle and Milly Alcock in THE CRUCIBLE at the Giegud Theatre.Photo Brinkhoff Moegenburg
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