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Reviews

Demi Iowu in Under the Table at Barons Court Theatre. Photography by Kinga Anna Dulka.
22 Jan
Reviews
Stuart King

Review: UNDER THE TABLE at Barons Court Theatre

Travelling from East to West London (and back again) on a cold, dark, winters evening, to view a small scale fringe production at an altogether unassuming little venue beneath a pub, is not exactly a labour of love, but it comes with the territory for a theatre reviewer. Tuesday was such an evening.

Demi Iowu in Under the Table at Barons Court Theatre. Photography by Kinga Anna Dulka.Demi Iowu in Under the Table at Barons Court Theatre. Photography by Kinga Anna Dulka.

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The cast of A Good House at Royal Court Theatre
18 Jan
Reviews
Stuart King

Review: A GOOD HOUSE at Royal Court

The Royal Court plays host to Amy Jephta’s South African racial proximity drama, which wastes little time in scratching away the superficial veneer of integration within a suburban enclave. We land at a cul-de-sac located within a sought-after gated development named Stillwater. Even the name promises stagnation and a churning unrest in the lower depths.

The cast of A Good House at Royal Court TheatreThe cast of A Good House at Royal Court Theatre.

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kyoto sohoplace review
18 Jan
Reviews
Stuart King

Review: KYOTO at SohoPlace

Don Pearlman, lawyer and former point man for the Reagan administration on matters relating to energy policy is co-opted by a sinister conglomerate of multinational oil companies, charged with stymying the growing rumblings for action on climate change. We’re in the mid-1980s, so the spectre of heatwaves, forest fires and coral reef collapse has yet to galvanise and unify world opinion and some would like it to stay that way.

kyoto sohoplace reviewKyoto at Sohoplace production image. Photo by Manuel Harlan.

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Corinne Winters as Jenůfa in Claus Guth's production of Janáček's Jenůfa, The Royal Opera ©2025 Camilla Greenwell
16 Jan
Reviews
Stuart King

Review: JENUFA at Royal Opera House

In JENŮFA (which was first performed in 1904), Leoš Janáček deployed his Moravian heritage to imbue his prose-written opera with many of the unmistakable folk music themes of his native land. Through Gabriela Preissová’s story, we delve into the harsh realities of a young woman’s existence in a small Czech village community, where rivals for her affections have to contend with her stepmother’s protective nature, spawned from memories of her own violent and alcoholic husband.

Corinne Winters as Jenůfa in Claus Guth's production of Janáček's Jenůfa, The Royal Opera ©2025 Camilla GreenwellCorinne Winters as Jenůfa in Claus Guth's production of Janáček's Jenůfa, The Royal Opera ©2025 Camilla Greenwell

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tina - the tina turner musical review
15 Jan
Reviews
Miriam Gibson

Review: TINA - THE TINA TURNER MUSICAL, Aldwych Theatre

If you read, “Tina Turner jukebox musical,” and assume you’re in for a frothy evening of simply big tunes and big hair, think again. Tina: The Tina Turner Musical is an ambitious musical tackling more than you might expect from a show of this genre.

tina - the tina turner musical reviewZoe Birkett in Tina: The Tina Turner Musical. Photo by Matt Crockett

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