THE WEDDING SINGER The Musical finally makes it to London 14 years after its Broadway reception. London’s reception is in the rather out of the way Troubadour Theatre in Wembley Park.
Reviews
Our reviews are written by independent theatregoers. If you're looking for unbiased and honest reviews, you're in the right place. And don't forget that the ratings on our website are compiled from real reviews from real customers.
07 Feb
Reviews 
Review: THE WEDDING SINGER at Troubadour Wembley Park Theatre
By John Yap Friday, February 7 2020, 18:55
05 Feb
Reviews 
Review: ALICE’S ADVENTURES UNDER GROUND at The Royal Opera House, Covent Garden
By Stuart King Wednesday, February 5 2020, 09:01
Composer and librettist Gerald Barry, has concocted a surrealist world using as its basis, an amalgamation of Lewis Carroll’s Alice stories. The result is a riotous, fast-paced, fantastically energetic, kaleidoscopic Wonderland, for all ages, (though perhaps not all ears)!
05 Feb
Reviews 
Review: KUNENE AND THE KING at The Ambassadors Theatre
By Miriam Gibson Wednesday, February 5 2020, 07:35
In contemporary South Africa, Jack Morris is an aging alcoholic actor, recently diagnosed with liver cancer. He's dying, but determined to stay alive long enough to star in King Lear. Lunga Kunene is the professional nurse sent to care for him. Jack is white. Kunene is black.
John Kani as Lunga Kunene and Antony Sher as Jack Morris in Kunene and the King. Photo by Ellie Kurttz. © RSC
04 Feb
Reviews 
Review: FAUSTUS: THAT DAMNED WOMAN at the Lyric Hammersmith
By Justin Murray Tuesday, February 4 2020, 18:55
In the Hammersmith Lyric’s Faustus: That Damned Woman, Johanna Faustus does not have the title of Doctor when we first meet her. She’s just Johanna the apothecary’s daughter, obsessed with her mother, hanged as a witch.
Jodie McNee as Johanna Faustus in Faustus: That Damned Woman at the Lyric Hammersmith. Photo by Manuel Harlan.
31 Jan
Reviews 
Review: UNCLE VANYA at the Harold Pinter Theatre
By Tim Winter Friday, January 31 2020, 21:00
It was fascinating to see this new Chekov production the night after viewing the radical reworking of Dickens by Armando Iannucci in his film adaptation of David Copperfield.
In a reversal of the “modern dress, same old text” conception we are all so used to by now, here we have a film and a theatre production that stick, fairly closely, to 'period' conformity but use modern language and acting styles to jolt us out of our complacency.
Uncle Vanya - Photo by Johan Persson
« previous articles - page 82 of 236 - next articles »