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Reviews

Corinne Winters as Jenůfa in Claus Guth's production of Janáček's Jenůfa, The Royal Opera ©2025 Camilla Greenwell
16 Jan
Reviews
Stuart King

Review: JENUFA at Royal Opera House

In JENŮFA (which was first performed in 1904), Leoš Janáček deployed his Moravian heritage to imbue his prose-written opera with many of the unmistakable folk music themes of his native land. Through Gabriela Preissová’s story, we delve into the harsh realities of a young woman’s existence in a small Czech village community, where rivals for her affections have to contend with her stepmother’s protective nature, spawned from memories of her own violent and alcoholic husband.

Corinne Winters as Jenůfa in Claus Guth's production of Janáček's Jenůfa, The Royal Opera ©2025 Camilla GreenwellCorinne Winters as Jenůfa in Claus Guth's production of Janáček's Jenůfa, The Royal Opera ©2025 Camilla Greenwell

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tina - the tina turner musical review
15 Jan
Reviews
Miriam Gibson

Review: TINA - THE TINA TURNER MUSICAL, Aldwych Theatre

If you read, “Tina Turner jukebox musical,” and assume you’re in for a frothy evening of simply big tunes and big hair, think again. Tina: The Tina Turner Musical is an ambitious musical tackling more than you might expect from a show of this genre.

tina - the tina turner musical reviewZoe Birkett in Tina: The Tina Turner Musical. Photo by Matt Crockett

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Theo Walker, Nigel Hastings, Sorcha Kennedy and Robert Eades in Firebird - photo by Geraint Lewis
14 Jan
Reviews
Stuart King

Review: FIREBIRD at King’s Head Theatre

During an alcohol-fuelled New Years Eve party, a beefcake Soviet fighter pilot Roman (Robert Eades) who is stationed in Estonia, begins a forbidden romance with a subordinate private, Sergey (Theo Walker) who is completing his 2 years conscripted service before embarking on a career as an actor.

Theo Walker, Nigel Hastings, Sorcha Kennedy and Robert Eades in Firebird - photo by Geraint LewisTheo Walker, Nigel Hastings, Sorcha Kennedy and Robert Eades in Firebird - photo by Geraint Lewis

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Anna Popplewell and Carla Harrsion-Hodge in The Maids at Jermyn Street Theatre. Photography by Steve Gregson.
11 Jan
Reviews
Stuart King

Review: THE MAIDS at Jermyn Street Theatre

Since its founding in a basement beneath an Italian restaurant in 1994, the intimate 70-seater Jermyn Street Theatre has developed a niche reputation for producing a dazzlingly diverse programme of studio productions each year. Now a registered charity, you cannot fault the management’s ambition and determination.

Anna Popplewell and Carla Harrsion-Hodge in The Maids at Jermyn Street Theatre. Photography by Steve Gregson.Anna Popplewell and Carla Harrsion-Hodge in The Maids at Jermyn Street Theatre. Photography by Steve Gregson.

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The company of Titanique at Criterion Theatre. Photo credit Mark Senior
10 Jan
Reviews
Stuart King

Review: TITANIQUE at Criterion Theatre

After building up a head of steam on the other side of the Atlantic, TITANIQUE has finally berthed for its run at The Criterion, Piccadilly Circus. So, is the spoof musical all at sea, or riding the crest of a wave?

The company of Titanique at Criterion Theatre. Photo credit Mark SeniorThe company of Titanique at Criterion Theatre. Photo credit Mark Senior.

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