The play, the playwright, the players and the director, are all possessed of proven pedigrees. So why doesn’t this re-imagining of Caryl Churchill’s groundbreaking 2002 exposé of cloning, feel more substantial and relevant?
Reviews
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02 Mar
Reviews 
Review: A NUMBER at the Bridge Theatre
By Stuart King Monday, March 2 2020, 14:42
02 Mar
Reviews 
Review: THE WOMAN IN BLACK at the Fortune Theatre
By Justin Murray Monday, March 2 2020, 12:11
It is something of a mystery to me why The Woman In Black is still on the West End. I am torn between feeling glad it exists and wanting it to die its inevitable death.
Max Hutchinson as 'The Actor' in THE WOMAN IN BLACK. Photo Tristram Kenton.
28 Feb
Reviews 
Review: THE PRINCE OF EGYPT at the Dominion Theatre
By Phil Willmott Friday, February 28 2020, 11:45
The vast stage of the Dominion Theatre is a tough nut to crack and a number of sprawling musicals have spluttered to life for short runs there recently. Next up is THE PRINCE OF EGYPT based on an animated film from DreamWorks which I confess I’ve never seen. It’s what Hollywood used to call a biblical epic and tells the story of Moses, he of the slave exodus from Egypt, parting of the Red Sea, the plagues, burning bush etc.
28 Feb
Reviews
Review: THE PIRATE QUEEN at The London Coliseum
By Stuart King Friday, February 28 2020, 11:00
The original 2007 Broadway run of The Pirate Queen (created by the Les Miserables team), made an estimated loss in excess of $16 million due to high running costs and mediocre box office interest. But did producer Tom Gribby’s much anticipated, one-night, semi-staged version at the Coliseum, signal a possible future London opening?
24 Feb
Reviews
Review: MESSAGE IN A BOTTLE at the Peacock Theatre
By Phil Willmott Monday, February 24 2020, 11:00
I was both dreading and looking forward to this new piece in which ZooNation’s Kate Prince explores the plight of migrants by setting narrative-dance to the music of veteran pop star Sting and his band the Police.
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