ABBA, and pop music like it, were never a big part of my childhood (in my household Mozart was considered avant garde, it’s a long story, I’ll tell you another time). But Mamma Mia has existed in the London theatresphere since the previous millennium, and, with the show reopening this week after a long pandemic-shaped hiatus, I went along to see what the big deal was.
Reviews
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Review: MAMMA MIA! at the Novello Theatre
By Justin Murray Thursday, September 16 2021, 14:49


Review: PARADISE at The Olivier Theatre, Royal National Theatre
By John Yap Friday, August 20 2021, 16:27
Sophocles’ Philoctetes is given a new version in a re-imagined production by the National Theatre. The new version is by Kae Tempest, re-imagined for the stage by Ian Rickson now renamed PARADISE. It promises to be a bold cutting edge play and production for the contemporary audience.


Review: CONSTELLATIONS at the Vaudeville Theatre
By Stuart King Saturday, August 7 2021, 10:47
The intimate Vaudeville Theatre on London’s Strand, is currently playing host to Michael Longhurst’s superb revival of Nick Payne’s wonderfully touching 2012 play Constellations.
As the West End gently reawakens, after the devastating restrictions imposed by lockdown, there’s perhaps a greater need than ever before for subtle, life-affirming, human interaction stories — and this is among the very best.


Review: PRETTY WOMAN at the Savoy Theatre
By John Yap Wednesday, August 4 2021, 14:27
PRETTY WOMAN The Musical returns to the West End triumphantly at The Savoy Theatre with the packed house audience leaping to its feet, cheering it to the rafters at the end.
When the musical opened at The Piccadilly Theatre at the end of February 2020, it was on its way to becoming a “hit” when it was forced to shut down by the pandemic on March 16.


Review: HAIRSPRAY at The London Coliseum
By John Yap Sunday, July 11 2021, 15:37
HAIRSPRAY returns to London for a limited season at the London Coliseum and it’s a fitting joyful fanfare to herald the West End blossoming into life again.
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