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Our reviews are written by independent theatregoers. If you're looking for unbiased and honest reviews, you're in the right place. And don't forget that the ratings on our website are compiled from real reviews from real customers.

Reviews

Rusalka - Royal Opera House
25 Feb
Reviews
Stuart King

Review: RUSALKA at Royal Opera House

A new production of RUSALKAAntonin Dvorak’s 1901 lyric fairy tale with libretto by Jaroslav Kvapil — opened at Covent Garden this week, and it is most definitely one for the eco-age. Created, directed and largely choreographed by the combined talents of Natalie Abrahami and Ann Yee the tale mixes Czech mysticism with the familiar folkloric story of a disenchanted water nymph who longs for her Prince (variously Ondine, Mélisande and The Little Mermaid elsewhere) and gives-up her voice to assume human form.

Rusalka - Royal Opera House Rusalka at the Royal Opera House - Photo Camilla Greenwell.

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Women, Beware the Devil - Almeida Theatre
25 Feb
Reviews
Stuart King

Review: WOMEN, BEWARE THE DEVIL at Almeida

The Almeida’s stage is currently redolent of a Vermeer painting — adorned with wood panels, black and white chequered flooring and flickering candles. We’re at the royalist-leaning home of the De Clare family which is populated with lords, ladies, a witchfinder, sundry maids (in varying degrees of maidenhood) and The Devil himself. Well, what ancient stately pile doesn’t have its charming complications and quintessential quirks?

Women, Beware the Devil - Almeida Theatre Women, Beware the Devil - Almeida Theatre

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The Beach House at the Park Theatre
21 Feb
Reviews
Stuart King

Review: THE BEACH HOUSE at Park Theatre

Jo Harper's gentle three-hander The Beach House had its world premiere at Park Theatre this Monday. A pregnant woman and her new girlfriend decide to imbue some calm and stability to their situation by moving nearer the sea and buying a charming but run down home a stone's throw from the beach where they plan to bring-up the child together. The leaking roof and issues with the floor act as metaphor for the fundamental faults which underpin and undermine their burgeoning relationship.

The Beach House at the Park TheatreThe Beach House at the Park Theatre

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The Company in Sylvia at The Old Vic
18 Feb
Reviews
Stuart King

Review: SYLVIA at The Old Vic

It was perhaps predictable after Hamilton took the world by storm, that a steady stream of hip-hop fusion stage musicals would follow in its wake. For her story of activist Sylvia Pankhurst (daughter of the better known leader of the suffragette movement Emmeline Pankhurst), Kate Prince has incorporated funk, soul, and energetically choreographed dance to flesh-out her hip-hop production SYLVIA which began life back in 2018 as a far less impressive experiment than the finely-honed musical spectacular now playing at the Old Vic.

The Company in Sylvia at The Old VicThe Company in Sylvia at The Old Vic

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Windfall at the Southwark Playhouse. Photo by Pamela Raith
15 Feb
Reviews
Stuart King

Review: WINDFALL at Southwark Playhouse

Fresh from its 2022 New York outing, Scooter Pietsch's chaotic comedy contrivance WINDFALL has landed at Southwark Playhouse for a limited London run. Directed by Mark Bell (The Play That Goes Wrong andThe Comedy About A Bank Robbery), Windfall follows a similar zany trajectory, as five abused office colleagues form a lottery syndicate and pin their hopes of a future without their vile boss, on winning a gargantuan jackpot. What could possibly go wrong?

Windfall at the Southwark Playhouse. Photo by Pamela RaithWindfall at the Southwark Playhouse. Photo by Pamela Raith

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