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Reviews

The Company of Lovetrain2020 at Sadler's Wells. Photo Julia Gat
18 Nov
Reviews
Stuart King

Review: EMANUEL GAT DANCE - LOVETRAIN2020 at Sadler’s Wells

Marseille’s eccentric dance group (with adventurous costumes by Thomas Bradley and lighting design by Emanuel Gat himself), lurch from silent solo introspection to frenetic group interplay as they perform to the music of Tears for Fears.

The Company of Lovetrain2020 at Sadler's Wells. Photo Julia GatThe Company of Lovetrain2020 at Sadler's Wells. Photo Julia Gat

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The cast of Dear England in the West End. Credit Marc Brenner
17 Nov
Reviews
Stuart King

Review: DEAR ENGLAND at Prince Edward Theatre

Joseph Fiennes proves himself something of a shapeshifter in James Graham’s DEAR ENGLAND as he assumes the guise, voice and mannerisms of Gareth Southgate, from his appointment as England’s underestimated caretaker manager, through his time as a waistcoat-clad guru and onwards to Qatar 2022. But this is a play with more on its mind than mere parody.

The cast of Dear England in the West End. Credit Marc BrennerThe cast of Dear England in the West End. Credit Marc Brenner

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The Time Traveller's Wife at the Apollo Theatre
16 Nov
Reviews
Stuart King

Review: THE TIME TRAVELLER’S WIFE at Apollo Theatre Shaftesbury Avenue

The 2003 surprise bestseller by unlucky-in-love novelist Audrey Niffenegger provides the basis for Dave Stewart and Joss Stone’s musical treatment. By necessity the plot-line is erratic and segmented, but whilst the production is far from mind-blowing, it has a great deal to commend it, helped by some studious tweaking and truncating of the source material by playwright Lauren Gunderson.

The Time Traveller's Wife at the Apollo Theatre The Time Traveller's Wife at the Apollo Theatre.

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BalletBoyz
09 Nov
Reviews
Stuart King

Review: BALLETBOYZ - ENGLAND ON FIRE at Sadler’s Wells

The once sexy and experimental dance troupe BalletBoyz plays a limited run at Sadler’s Wells where they deliver their latest commentary on the world around them, with ENGLAND ON FIRE.

BalletBoyzBalletBoys - Photo credit George Piper

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To Have and To Hold company. Credit Marc Brenner
08 Nov
Reviews
Stuart King

Review: TO HAVE AND TO HOLD at Hampstead Theatre

Alun Armstrong as Jack Kirk, a former policeman who secretly recounts his amusing case recollections onto a tape recorder for posterity, is a curmudgeonly geriatric who is in a state of constant verbal combat with his wife of 70 years. As the couple concede they are no longer capable of looking after themselves, their children make plans to sell their home and organise some comfort for the pair in their dotage — assuming they live that long!

To Have and To Hold company. Credit Marc BrennerTo Have and To Hold company. Credit Marc Brenner.

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