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By Stuart King Thursday, July 11 2024, 08:52
At its heart, Kendall Feaver’s play ALMA MATER deals with the ever widening gap in the differing generational approaches to feminism. Set on a fictitious university campus, a student Paige (Liv Hill) claims to have been sexually assaulted and at first wants the experience to simply go away. Others see the incident as a rallying call to end what they perceive is an endemic rape culture largely condoned by silence.
Alma Mater at Almeida Theatre.
By Stuart King Wednesday, July 10 2024, 13:00
The brainchild of Alexander S. Bermange, I WISH MY LIFE WERE LIKE A MUSICAL (which plays a short residency at the King’s Head Theatre until 21st July before continuing its national tour), follows in the strong British tradition of adding a musical twist to a subject worthy of the merest smidgeon of mockery. Here, everyone from the eager stage school auditionee, to the self-indulgent jaded diva, (not to mention badly behaved audience members — including theatre critics), come in for a justly deserved lampooning.
Julie Yamanee, Luke Harley, Jessi O'Donnell, and Sev Keoshgerian in I Wish My Life Were Like a Musical at King’s Head Theatre. Credit Geraint Lewis.
By Stuart King Saturday, July 6 2024, 12:43
The Japanese manga series Your Lie In April was originally developed and published over the course of 11 monthly magazine editions. It has since been used as the basis for an animé television series, a novel, a live action film (2016) and now a stage musical with music by Frank Wildhorn and lyrics by Carly Robyn Green and Tracy Miller. Friday evening’s sodden West End opening at the Harold Pinter Theatre, drew an eclectic mix of reviewers and showbiz faces, from the flamboyant Boy George to the unassuming Don Black. So did the rain dampen spirits, or was the overnight election result sufficient to keep everyone buoyed-up?
You Lie in April at Harold Pinter Theatre. Photo Craig Sugden.
By Stuart King Wednesday, July 3 2024, 09:55
Complicité’s MNEMONIC staged at the National in 2001, underwent a reimagining and dusting-off in readiness for this summer’s repeat run at the Olivier, retaining Simon McBurney’s all-important creative micro-vision as he serves once more as Director on the production.
Kostas Philippoglou and Eileen Walsh in Mnemonic at the National Theatre © Johan Persson
By Stuart King Monday, July 1 2024, 09:44
This reviewer last had the pleasure of experiencing Starlight Express at the Apollo Victoria in 1988 after key tweaks and revisions were incorporated into the London show from the Broadway production. Having stayed on track for 18 years, wowing millions of fare paying passengers during that time, it finally ran out of steam in 2002. Now, 22 years after reaching the end of the line, an entirely revamped production hopes to electrify a fresh generation of musical trainspotters at the 2000-seater Troubadour venue at Wembley Park.
Jade Marvin (Momma) and the cast in Starlight Express (Photo Credit Pamela Raith)
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