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By Stuart King Thursday, August 15 2024, 09:48
The proclivities and shenanigans of ancient world titans was brought to a wider audience in 1606, when William Shakespeare retold the tale of the Roman triumvirate of Mark Antony, Octavius Caesar and Lepidus… and a woman of legendary beauty.
Nadia Nadarajah as Cleopatra in Antony and Cleopatra at Shakespeare's Globe (c. Ellie Kurttz)
By Stuart King Wednesday, August 14 2024, 11:15
Despite Germany having surrendered in Europe, the war remains ongoing in the Pacific where the Americans continue to meet resistance from the Japanese. With such a global backdrop, the quiet and dilapidated English country setting of FARM HALL becomes home for 6 forcibly interred German physicists, who spend their days acting-out Noel Coward plays (albeit stiltedly), playing chess, quizzing from newspapers and writing heavily self-censored letters home.
Julius D'Silva, Archie Backhouse, Forbes Masson, Alan Cox, Daniel Boyd, David Yelland in Farm Hall - Photo credit Alex Brenner
By Stuart King Sunday, August 4 2024, 13:26
Originally presented at the Edinburgh Fringe Festival last year, this extended version of I LOVE YOU, NOW WHAT? enjoys a short run at Park Theatre until 24th August.
Andy Umerah and Sophie Craig in I Love You, Now What? at Park Theatre. Photo Lidia Crisafulli.
By Stuart King Saturday, August 3 2024, 11:26
Few Broadway musicals come more Broadway than A CHORUS LINE. It’s the sort of show which has critics scrambling for epithets and idioms long before any production has opened and in the main, you can be sure they will be tired reworkings of Singular(ly) Sensation(al)!
Redmand Rance (Mike Costa), Chloe Saunders (Val Clarke) and Rachel Jayne Picar (Connie Wong) in A Chorus Line at Sadler's Wells - © Marc Brenner
By Stuart King Saturday, August 3 2024, 11:01
For many, Annie Ernaux has only truly achieved prominence since becoming the first Frenchwoman to win the Nobel Prize for Literature in 2022, at the tender age of 82. Her writing style deploys an awareness of self which resonates truth and simplicity through an unflinching depiction of events experienced, and the times in which they occurred. In THE YEARS (which is an English adaptation by Stephanie Bain, based on Director Eline Arbo’s Dutch translation of Les années) a cast of five women take us on a journey of the author’s life from 1941-2006… and what an incredible journey it proves to be.
Romola Garai in The Years at the Almeida Theatre. Credit Ali Wright
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