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Our reviews are written by independent theatregoers. If you're looking for unbiased and honest reviews, you're in the right place. And don't forget that the ratings on our website are compiled from real reviews from real customers.

Reviews

much ado about nothing theatre royal drury lane review
21 Feb
Reviews
Stuart King

Review: MUCH ADO ABOUT NOTHING at Theatre Royal Drury Lane

A confectioner’s deluge of pink ticker-tape, drifts slowly from high above Drury Lane’s stage, as disco tracks and rumbustious tomfoolery play-out below. It is undoubtedly what Shakespeare himself would have wanted and after a couple of less-than-loved-Lloyds, wonder boy director Jamie is back in his groove, wowing the masses with his accessible versions of the classics. Here, MUCH ADO ABOUT NOTHING succumbs with minimal resistance to his magical makeover.

much ado about nothing theatre royal drury lane reviewThe cast of Much Ado About Nothing. Photo by Manuel Harlan

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trash peacock theatre review
20 Feb
Reviews
Stuart King

Review: TRASH at Peacock Theatre

TRASH! Super silly, super structured, super rehearsed, super funny. A riot of unabashed, fizzing, physical mayhem. Choreographed to within an inch of its life yet managing to exude a wholly ad-libbed vibe, TRASH! could be exactly the ingredient to bring a smile in an otherwise dreary February. What’s not to love?

trash peacock theatre reviewTrash production image.

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Jack Holden in KENREX. Photo by Manuel Harlan
19 Feb
Reviews
Stuart King

Review: KENREX at Southwark Playhouse

Until the 15th March (although a West End transfer must surely be on the cards after this evening’s rapturous opening), London theatregoers get a chance to witness for themselves the hard hitting and mesmerising true crime drama KENREX, in which the townsfolk of a small backwater, rise up and take back control after suffering a decade of tyranny at the hands of one man.

Jack Holden in KENREX. Photo by Manuel HarlanJack Holden in KENREX. Photo by Manuel Harlan.

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Cliff Curtis, Kaya Scodelario and Nathalie Armin in East is South at Hampstead Theatre. Credit Manuel Harlan
18 Feb
Reviews
Stuart King

Review: EAST IS SOUTH at Hampstead Theatre

What happens when the boffins of Artificial Intelligence, including a Russian emigré who now works for the NSA, decide to test their code writing abilities against the age old question around God and man? The answer as always, depends on how the question is asked and how receptive humankind is to an answer it may not be ready to hear.

Cliff Curtis, Kaya Scodelario and Nathalie Armin in East is South at Hampstead Theatre. Credit Manuel HarlanCliff Curtis, Kaya Scodelario and Nathalie Armin in East is South at Hampstead Theatre. Credit Manuel Harlan

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Grace Venus in Stalled at King's Head Theatre. Photo Johan Persson
17 Feb
Reviews
Stuart King

Review: STALLED at King's Head Theatre

As a theatre reviewer, I frequently encounter commendable projects. Projects where the individuals involved are invested, engaged and obviously talented. But sometimes, even with such credentials the end result doesn’t quite pay off. It pains me to report that such an instance is STALLED, which recently opened at Angel Islington’s indomitable institution The King’s Head Theatre, where new seating was especially in-stalled for the occasion.

Grace Venus in Stalled at King's Head Theatre. Photo Johan PerssonGrace Venus in Stalled at King's Head Theatre. Photo Johan Persson

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