WARHEADS styles itself a punchy urban drama, based as it is, on a true story. But is there room for yet another deconstruction of PTSD and the trials and tribulations of a soldier returning from the horrors of war? In this case, the short answer is, yes (with minor reservations).Newcomer Taz Skylar plays Miles Weppler a young soldier who’s back from his first overseas tour of duty in Afghanistan with his buddy Mory, Hassan Najib. Unsurprisingly perhaps, his loved-ones find him changed. Since his return, sounds, food and people seem somehow different to Miles and gradually over successive tours, he develops an ever-stronger craving to return to the familiarity and military order which exists within the chaos of an overseas war zone.
Can a case of paranoia ever be simple? His friends and loved-ones believe so and rally to offer the support and encouragement they think he needs, which only serves to worsen his outlook and deepen his resistance to engaging properly with the psychological help on offer after a major trauma.
His therapist Sophie Couch, views his symptoms with frustration and concern, whilst fraught interactions with his girlfriend Tena, Klariza Clayton provide some telling and uncomfortable insights into his mental state. The final two cast members are veteran TV heavy Craig Fairbrass as battle-hardened Capt Deex and Joseph Connolly as Tena’s campy housemate Tem, who makes the most of his comic moments but also demonstrates an ultra calm, steely backbone, when required.
Skylar, in collaboration with Ross Berkeley Simpson, has written a play which effectively blurs timelines and intentionally disconcerts the audience during the course of its 90 minutes. Through Toby Clarke’s energised direction, the story uncoils at a feverish pace - thanks in no small part to Sean Hollands‘ choreographed movement sequences, which demonstrate what is achievable in a confined space, with minimal set furniture and simplified light and sound design.
There is a little self-consciousness amongst the actors - but this is a small and unforgiving space, populated with a cast of largely inexperienced but uber exuberant and confident young performers, so this is understandable. And in terms of the script, perhaps an over reliance on street speak (fam bruv and innit). Minor gripes aside, the vitality and determination to tackle important issues bodes well for this troupe, and I’m already looking forward to witnessing their next creative steps.
Barmy Britain is the latest Horrible Histories live show based on the popular children’s books by Terry Deary and the hugely successful BBC TV show.