Tennessee Williams, a man who himself tangoed dangerously with drugs and alcohol, produced sufficient Southern stories involving unhealthy relationships, substance abuse and dirty secrets, to fill a rock star’s memoir. Rebecca Frecknall directs one of the playwright’s most renowned, CAT ON A HOT TIN ROOF for the Almeida, but with underwhelming results.
Daisy Edgar-Jones in Cat on a Hot Tin Roof at the Almeida. Credit Marc Brenner