Tim Winter
Review: WEIMAR CABARET at the Barbican
By Tim Winter Monday, July 16 2018, 11:47
The indefatigable Barry Humphries, having finally said goodbye to his beloved creation, Dame Edna Everage after 60 years in the spotlight is now embarking on his 'most difficult impersonation' - himself.
Review: HOW IT IS (PART 1) at the Print Room at the Coronet
By Tim Winter Friday, May 11 2018, 09:32
Seated on the stage, the audience gazes at the steep rake of The Coronet's empty stalls and balcony, shrouded in gloom, the peeling walls and bits of scaffolding creating an atmosphere of a building almost falling apart, artfully disintegrating. Maybe there is time for one more performance before it crumbles. Perfect for Samuel Beckett.
Review: CORALINE The Royal Opera House at the Barbican
By Tim Winter Tuesday, April 3 2018, 11:08
Neil Gaiman's massively popular children's story 'Coraline' has already made it from the page to the big screen and now finds itself on the Barbican stage as an opera for family audiences, commissioned by The Royal Opera House, with music by the one-time 'bad boy' of British contemporary music, Mark-Anthony Turnage, and with a great libretto by playwright Rory Mullarkey.
Review: ISTANBUL: YOU'LL NEVER WALK ALONE at Katzpace
By Tim Winter Wednesday, February 21 2018, 09:59
Istanbul: You'll Never Walk Alone, is a riotous, breathless account of Liverpool Football Club's remarkable victory (coming back from 3-0 down to win on penalties) over AC Milan in 2005's Champions League final, held at the Ataturk Stadium, Istanbul in Turkey, as seen through the eyes of the fans.
Review: RICHARD III at the Almeida Theatre
By Tim Winter Monday, June 20 2016, 11:04
What an enticing prospect: the chance to see two of the worlds most celebrated actors, Ralph Fiennes and Vanessa Redgrave in close up at this intimate venue. They were electric on screen together in CORIOLANUS and they're currently reunited in a production of RICHARD III directed by one of our most adventurous Shakespeare directors, Rupert Gould.
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