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Benjamin Britten's Peter Grimes - English National Opera - London Coliseum
22 Sep
Reviews
Stuart King

Review: PETER GRIMES at ENO London Coliseum

Benjamin Britten’s 1945 ethereal opera based on George Crabbe’s poem The Borough (1810), delves deeply into the psyche of a small Suffolk coastal community where following a terrible event, an outsider becomes the focus of a concerted campaign of gossip and victimisation.

Benjamin Britten's Peter Grimes - English National Opera - London ColiseumBenjamin Britten's Peter Grimes - English National Opera - London Coliseum

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Rebecca at the Charing Cross Theatre
21 Sep
Reviews
Stuart King

Review: REBECCA at Charing Cross Theatre

Sitting in the stalls of the Charing Cross theatre last evening, I swear there was a discernible creaking of timber. Perhaps not the beams of Manderley about to fall into a smouldering ruin, but more likely Daphne du Maurier shifting restlessly in her coffin, politely inquiring who had had the temerity to stage such a well-meaning yet lacklustre musical version of her classic Rebecca.

Rebecca at the Charing Cross TheatreRichard Carson and Lauren Jones in REBECCA at the Charing Cross Theatre. Photo by Mark Senior

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Rufus Hound (Gary) in It's Headed Straight Towards Us at the Park Theatre. Credit Pamela Raith Photography
20 Sep
Reviews
Stuart King

Review: IT’S HEADED STRAIGHT TOWARDS US at Park Theatre

When this reviewer was still doing his best to wear a school uniform in a scruffy, disaffected manner, The Young Ones were all the rage on TV. Forty years on and two of that troop of anarchic comedians — Adrian Edmondson (who eschewed Ade some while ago) and Nigel Planer (the lank-haired drippy Young One) have pooled their collective writing talents to bring us IT’S HEADED STRAIGHT TOWARDS US, which opened this week at Park Theatre.

Rufus Hound (Gary) in It's Headed Straight Towards Us at the Park Theatre. Credit Pamela Raith Photography Rufus Hound (Gary) in It's Headed Straight Towards Us at the Park Theatre. Credit Pamela Raith Photography

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MyAnna Buring in ANTHROPOLOGY at Hampstead Theatre. Photo credit The Other Richard
19 Sep
Reviews
Stuart King

Review: ANTHROPOLOGY at Hampstead Theatre

The life of a Silicon Valley software engineer Merril (MyAnna Buring) implodes when her younger sister Angie (Dakota Blue Richards) vanishes. A year passes during which police make little headway in the case, so Merril begins to trawl through the online digital footprint her sister has left behind and creates an AI algorithm from the data — but will the result be a familiar (albeit computer generated) companion, or open a Pandora’s Box of other information?

MyAnna Buring in ANTHROPOLOGY at Hampstead Theatre. Photo credit The Other RichardMyAnna Buring in ANTHROPOLOGY at Hampstead Theatre. Photo credit The Other Richard.

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The cast of THE LITTLE BIG THINGS at Soho Place. Photo by Pamela Raith
15 Sep
Reviews
Stuart King

Review: THE LITTLE BIG THINGS at @sohoplace

When the third son in a family of vibrant and committed rugby fans succumbs to a swimming accident whilst on holiday with his brothers in Portugal, the world changes overnight — for everyone. THE LITTLE BIG THINGS is a zingingly fresh story which manages to tick all the right boxes as it combines comedy with a soupçon of schmaltz, but mercifully manages to avoid musical theatre cliché and cynicism.

The cast of THE LITTLE BIG THINGS at Soho Place. Photo by Pamela RaithThe cast of THE LITTLE BIG THINGS at Soho Place. Photo by Pamela Raith.

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