
Stuart King


Review: SAPPHO at Southwark Playhouse
By Stuart King Thursday, May 9 2024, 11:02
Of the estimated 10,000 verses penned by Ancient Greek writer Sappho, perhaps as few as 650 are known to exist, the remainder having largely been erased from history by precisely the people and institutions which her glorious words about motherhood, sensuality, virginity and domestic life, alienated.
Georgie Fellows and company in Sappho at Southwark Playhouse. Credit Mark Senior


Review: PIPPIN 50th ANNIVERSARY CONCERT at Theatre Royal Drury Lane
By Stuart King Tuesday, April 30 2024, 09:41
Benefitting from a concert staging which includes a full orchestra and choir (drawn from the ArtsEd school), Stephen Schwartz’s tale of PIPPIN the young medieval prince who learns about life while searching for happiness and fulfilment, hits the Theatre Royal Drury Lane for 2 nights only, in celebration of its milestone half century.


Review: TWO STRANGERS (CARRY A CAKE ACROSS NEW YORK) at Criterion Theatre
By Stuart King Wednesday, April 24 2024, 09:29
Piccadilly Circus was a-buzz last evening as the crowds gathered for the much anticipated opening of TWO STRANGERS (CARRY A CAKE ACROSS NEW YORK) at the Criterion Theatre. This reviewer was unable to see the earlier staging at the Kiln in Kilburn, North London back in November last year. Thankfully the positive buzz around the show, helped secure this transfer, affording theatregoers another opportunity to catch it in the West End. So, what is it about and is it worth seeing?
Sam Tutty and Dujonna Gift in Two Strangers (Carry a Cake Across New York) at the Criterion Theatre.


Review: THE CORD at Bush Theatre
By Stuart King Friday, April 19 2024, 23:00
Bijan Sheibani has both written and directed THE CORD which is a reference to matters umbilical and a fascinating exploration of the mental and emotional impact which a mother's experience during and after giving birth, can have on her. It also looks at those nearest family members caught-up in any complications, damage to the bonding process and how such matters may impact the child in later life when they are grown and having children of their own.
The company in 'The Cord' at Bush Theatre. Photo Manuel Harlan


Review: ALGORITHMS at Park Theatre
By Stuart King Friday, April 19 2024, 21:43
Writer/performer Sadie Clark has been performing ALGORITHMS (her ‘Bisexual Bridget Jones for the online generation’) at various locations since 2018 and in that time, has been the beneficiary of critical praise, awards, and has had the material developed for other media.
Sadie Clark in Algorithms at Park Theatre.
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