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Stuart King

Georgie Fellows and company in Sappho at Southwark Playhouse. Credit Mark Senior
09 May
Reviews
Stuart King

Review: SAPPHO at Southwark Playhouse

Of the estimated 10,000 verses penned by Ancient Greek writer Sappho, perhaps as few as 650 are known to exist, the remainder having largely been erased from history by precisely the people and institutions which her glorious words about motherhood, sensuality, virginity and domestic life, alienated.

Georgie Fellows and company in Sappho at Southwark Playhouse. Credit Mark SeniorGeorgie Fellows and company in Sappho at Southwark Playhouse. Credit Mark Senior

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Pippin 50th Anniversary Concert
30 Apr
Reviews
Stuart King

Review: PIPPIN 50th ANNIVERSARY CONCERT at Theatre Royal Drury Lane

Pippin 50th Anniversary Concert Benefitting from a concert staging which includes a full orchestra and choir (drawn from the ArtsEd school), Stephen Schwartz’s tale of PIPPIN the young medieval prince who learns about life while searching for happiness and fulfilment, hits the Theatre Royal Drury Lane for 2 nights only, in celebration of its milestone half century.

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Two Strangers (Carry a Cake Across New York)
24 Apr
Reviews
Stuart King

Review: TWO STRANGERS (CARRY A CAKE ACROSS NEW YORK) at Criterion Theatre

Piccadilly Circus was a-buzz last evening as the crowds gathered for the much anticipated opening of TWO STRANGERS (CARRY A CAKE ACROSS NEW YORK) at the Criterion Theatre. This reviewer was unable to see the earlier staging at the Kiln in Kilburn, North London back in November last year. Thankfully the positive buzz around the show, helped secure this transfer, affording theatregoers another opportunity to catch it in the West End. So, what is it about and is it worth seeing?

Two Strangers (Carry a Cake Across New York) Sam Tutty and Dujonna Gift in Two Strangers (Carry a Cake Across New York) at the Criterion Theatre.

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The company in 'The Cord' at Bush Theatre. Photo Manuel Harlan
19 Apr
Reviews
Stuart King

Review: THE CORD at Bush Theatre

Bijan Sheibani has both written and directed THE CORD which is a reference to matters umbilical and a fascinating exploration of the mental and emotional impact which a mother's experience during and after giving birth, can have on her. It also looks at those nearest family members caught-up in any complications, damage to the bonding process and how such matters may impact the child in later life when they are grown and having children of their own.

The company in 'The Cord' at Bush Theatre. Photo Manuel Harlan The company in 'The Cord' at Bush Theatre. Photo Manuel Harlan

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Sadie Clark in Algorithms at Park Theatre
19 Apr
Reviews
Stuart King

Review: ALGORITHMS at Park Theatre

Writer/performer Sadie Clark has been performing ALGORITHMS (her ‘Bisexual Bridget Jones for the online generation’) at various locations since 2018 and in that time, has been the beneficiary of critical praise, awards, and has had the material developed for other media.

Sadie Clark in Algorithms at Park TheatreSadie Clark in Algorithms at Park Theatre.

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