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Bronté Barbé (Kathy) and Rebekah Hinds (Stella) in Kathy and Stella Solve a Murder at Ambassadors Theatre -Pamela Raith Photography
06 Jun
Stuart King

First Look: KATHY AND STELLA SOLVE A MURDER! at Ambassadors Theatre

Along with other relatively small cast musicals (like the hugely successful Operation Mincemeat currently playing at the Fortune Theatre) KATHY AND STELLA SOLVE A MURDER relies upon sharply choreographed moves and costume changes to ensure that the non-stop cultural reference gags land with a slick and zingy pizzazz. Thankfully the casting team managed to match Bronté Barbé and Rebekah Hinds — a pair of supremely talented performers who manage effortlessly to lift even the kitschiest tongue-in-cheek and colloquially corny moments. This is a small show which definitely punches way above its weight.

Bronté Barbé (Kathy) and Rebekah Hinds (Stella) in Kathy and Stella Solve a Murder at Ambassadors Theatre -Pamela Raith PhotographyBronté Barbé (Kathy) and Rebekah Hinds (Stella) in Kathy and Stella Solve a Murder at Ambassadors Theatre -Pamela Raith Photography

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Cast of Boys from the Blackstuff at the National Theatre
30 May
Reviews
Stuart King

Review: BOYS FROM THE BLACK STUFF at National Theatre Olivier

This week’s opening at the National Theatre’s Olivier is another regional transfer, having originated at Liverpool’s Royal Court where Kevin Fearon and the team, successfully produced and commissioned the piece based on the 1982 Thatcher-era television series penned by local boy Alan Bleasdale. In it, five working class Liverpudlian men and their families, struggle with the impact of unemployment and the lack of social care in the once thriving city.

Cast of Boys from the Blackstuff at the National TheatreCast of Boys from the Blackstuff at the National Theatre. © Alastair Muir

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Kayla Meikle in Bluets at Jerwood Theatre Downstairs. Photo Camilla Greenwell.
25 May
Reviews
Stuart King

Review: BLUETS at Royal Court

It would be the purest understatement to suggest that theatregoers have been wildly anticipating director Katie Mitchell’s latest live cinema production — the art form which hybridises a live stage performance piece (often relayed through stage mics on stands) which moves at a preordained rhythm and uses back screening and props used by performers who are usually ranged in a straight row facing the audience. When it comes-off and flows seamlessly, it can be simply breathtaking. So how does BLUETS compare with other examples of the genre, for example the extraordinary LITTLE SCRATCH also directed by Mitchell?

Kayla Meikle in Bluets at Jerwood Theatre Downstairs. Photo Camilla Greenwell.Kayla Meikle in Bluets at Jerwood Theatre Downstairs. Photo Camilla Greenwell.

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Passing Strange - Young Vic
23 May
Reviews
Stuart King

Review: PASSING STRANGE at Young Vic

With four on stage musicians and a further seven performers, Broadway’s winner of the Tony for Best Book of a Musical in 2008 has finally made the leap across the pond, settling into the Young Vic’s space for the summer. In so doing, it demonstrates why it proved such a surprise hit in New York, running for six months during its initial outing despite (or perhaps in spite of) its less than conventional format.

Passing Strange - Young VicThe cast of Passing Strange at The Young Vic Theatre.

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The Book of Grace, Arcola Theatre
21 May
Reviews
Stuart King

Review: THE BOOK OF GRACE at Arcola

A patrol officer Vet who lives on the Mexico-Texas border with his much younger second wife Grace, is to be awarded a medal for his service. The presentation ceremony offers the couple an opportunity to patch things up with the patrolman’s estranged son Buddy by inviting him to attend. But will he come, and if he does, will everything go to plan, and just whose plan is it anyway? Directed by Femi Elufowoju jr, this simmering 2010 drama by Suzan-Lori Parks receives its UK premier at Arcola Theatre.

The Book of Grace, Arcola TheatreThe Book of Grace at the Arcola Theatre. Photo Alex Brenner.

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