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Stuart King

Stuart King

Stuart King, Head reviewer

Since retiring as a musical theatre performer, Stuart has maintained a busy professional career in commercial sectors ranging from media and sport, to risk management. As a member of the Critics’ Circle, he regularly attends and reviews press nights for drama productions, musicals, opera and dance.

Asa Butterfield in Second Best. Photo Hugo Glendinning
04 Feb
Reviews
Stuart King

Review: SECOND BEST at Riverside Studios

Asa Butterfield has carved quite a niche for himself playing naively innocent and quirky misfits (notably in The Boy in the Striped Pyjamas, and more recently as Otis in Sex Education). His one-man performance has largely sold-out the Riverside Studios where SECOND BEST opened this evening marking the young actor’s stage debut.

Asa Butterfield in Second Best. Photo Hugo GlendinningAsa Butterfield in Second Best. Photo Hugo Glendinning

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Play On!, Ensemble - Copyright Ciara Hillyer
02 Feb
Reviews
Stuart King

Review: PLAY ON! at Lyric Hammersmith

A thinly woven amalgamation of love stories centred around Harlem’s Cotton Club, form the basis for an evening of rumbustious hoofing and competitive lung blasting as PLAY ON! opens at the Lyric Hammersmith.

Play On!, Ensemble - Copyright Ciara Hillyer Play On!, Ensemble - Copyright Ciara Hillyer.

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Caroline Gruber in As Long As We Are Breathing at the Arcola Theatre. Copyright Lidia Crisafulli
31 Jan
Reviews
Stuart King

Review: AS LONG AS WE ARE BREATHING at the Arcola

A cloying pungency of lavender oil permeates the Arcola’s subterranean stairway (and your nostrils), long before you reach the playing area. As you enter, a man (Matthew James Hinchliffe) plays a calmly resonant percussion instrument, as though we are about to enjoy a collective massage. Our meditation on the Jewish condition begins with the reflections of an elderly woman Miriam (Caroline Gruber) who we learn survived her harrowing adolescence in Bratislava.

Caroline Gruber in As Long As We Are Breathing at the Arcola Theatre. Copyright Lidia CrisafulliCaroline Gruber in As Long As We Are Breathing at the Arcola Theatre. Copyright Lidia Crisafulli

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Alex Price, Nicholas Burns and Laura Haddock in The Gift at Park Theatre. Credit Rich Southgate
29 Jan
Reviews
Stuart King

Review: THE GIFT at Park Theatre

Park Theatre presents the world premier of Dave Florez’ comedy drama THE GIFT, in which obsessive Colin is destined to fixate and generally unravel as a consequence of receiving a mysterious box through the mail… Or at least that is what his concerned sister Lisa and her partner Brian are convinced will happen, and they speak from considerable experience of Colin’s neurotic foibles.

Alex Price, Nicholas Burns and Laura Haddock in The Gift at Park Theatre. Credit Rich SouthgateAlex Price, Nicholas Burns and Laura Haddock in The Gift at Park Theatre. Credit Rich Southgate

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The Bowie Show
26 Jan
Reviews
Stuart King

Review: THE BOWIE SHOW at Hippodrome Golders Green

In January 2016, we lost an icon, a creative visionary, a trailblazer. For many (myself included) David Bowie was an extraordinary human being, if not a Demi-God. In the years which have passed since the release of Blackstar prior to his death, it has been easy to conclude that the world has become somehow tarnished, diminished by his sad demise aged 69 and the sequence of tumultuous global events which have occupied the timeline since.

The Bowie ShowThe Bowie Show

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