Nastazja Domaradzka
03 Aug
Reviews 
Review: THE PLOUGH AND THE STARS at The National Theatre
By Nastazja Domaradzka Wednesday, August 3 2016, 09:44
THE PLOUGH AND THE STARS by Sean O’Casey is a legendary masterpiece. With 2016 being the centenary year of the Easter Rising in Ireland it made perfect sense for The NATIONAL THEATRE to stage the final of the ‘Dublin Plays’ trilogy. Although the directors, Jeremy Herrin and Howard Davies create some compelling moments, they still fail to bring the spirit of the piece alive; resulting in the production feeling somewhat irrelevant and stale.
21 Jul
Reviews
Review: FABRIC at The New Wimbledon Studio
By Nastazja Domaradzka Thursday, July 21 2016, 10:14
FABRIC written by Abi Zakarian is a one woman show that revolves around the themes of female emancipation, everyday sexism and sexual abuse. Although this production addresses some very important issues and hard hitting subjects it feels like it could really benefit from further development.
10 Jul
Reviews
Review: NEEDLES AND OPIUM at The Barbican Centre
By Nastazja Domaradzka Sunday, July 10 2016, 08:25
For over 30 years now Robert Lepage has been revolutionising theatre by making pioneering, visually enchanting and breath-taking work. NEEDLES AND OPIUM, which was first premiered in 1991 was reworked by the Canadian theatre maker 3 years ago. Currently touring and making a stop at The Barbican Centre this production is further proof that Rober Lapage’s genius never ceases to amaze.
05 Jul
Reviews
Review: STRANGERS IN BETWEEN at The King's Head Theatre
By Nastazja Domaradzka Tuesday, July 5 2016, 10:08
The Australian playwright Tommy Murphy's STRANGERS IN BETWEEN had its British premiere this summer at The King's Head Theatre. Directed by Adam Spreadbury-Maher, the artistic director of the venue. STRANGERS IN BETWEEN is a beautifully written coming of age play which examines the issues of sexuality in both a funny and moving way.
29 Jun
Reviews
Review: THE TRUTH at Wyndham's Theatre
By Nastazja Domaradzka Wednesday, June 29 2016, 15:15
With last years critically acclaimed THE FATHER followed by the equally highly praised THE MOTHER, the Parisian playwright Florian Zeller has already made a strong mark for himself in British theatre. THE TRUTH, which transferred to THE WYNDHAM'S THEATRE is yet an another great piece of writing from Zeller, but Lindsay Posner's production lacks a naturalistic sense of direction, turning Christopher Hampton's translation of THE TRUTH into a farcical Noel Coward like play.
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