Miriam Gibson
22 Nov
Reviews 
Review: THE DRIFTERS GIRL a the Garrick Theatre
By Miriam Gibson Monday, November 22 2021, 18:01
"The Drifters are like the Yankees", we're told at the beginning of The Drifters Girl, “The line-up may change, but in the end there's only one New York Yankees”. To demonstrate this constantly changing but-never-really-changing line-up, four actors play the various incarnations of the Drifters.
07 Nov
Reviews
Review: THE OCEAN AT THE END OF THE LANE at the Duke of York's Theatre
By Miriam Gibson Sunday, November 7 2021, 09:21
Memory, family, reality, storytelling, grief, magic, language- there's plenty of themes in Joel Horwood's adaptation of Neil Gaiman's 2013 novel. The Ocean At The End Of The Lane opens at Duke of York's Theatre after its 2019 debut at the National.
15 Oct
Reviews
Review: THE SHARK IS BROKEN at the Ambassadors Theatre
By Miriam Gibson Friday, October 15 2021, 07:12
When Ian Shaw and Joseph Nixon’s play premiered in Edinburgh in 2019, the concept- three people stuck for weeks in a confined space, gnawing on each other’s nerves, battling boredom, and gradually losing their marbles- probably had less resonance than it does now.
05 Feb
Reviews
Review: KUNENE AND THE KING at The Ambassadors Theatre
By Miriam Gibson Wednesday, February 5 2020, 07:35
In contemporary South Africa, Jack Morris is an aging alcoholic actor, recently diagnosed with liver cancer. He's dying, but determined to stay alive long enough to star in King Lear. Lunga Kunene is the professional nurse sent to care for him. Jack is white. Kunene is black.
John Kani as Lunga Kunene and Antony Sher as Jack Morris in Kunene and the King. Photo by Ellie Kurttz. © RSC
26 Nov
Reviews
Second Look: & JULIET at The Shaftesbury Theatre
By Miriam Gibson Tuesday, November 26 2019, 08:55
An alternative ending to Shakespeare's tragedy is just the start for this brash, silly pop musical. Like many jukebox musicals, your enjoyment of shallow, bombastic and camp & Juliet depends on how willing you are to switch your brain off and go along with a paper-thin plot and shoehorned-in songs.
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