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Love in Idleness in London
You adore quality theatre. Here's a classic for you in the shape of Trevor Nunn's exceptional production of Love In Idleness. Nunn directs an all-star cast including Eve Best as Olivia Brown, star of TV's Stan Lee's Lucky Man and an extremely talented actress. Edward Bluemel plays Michael Brown and Anthony Head Sir John Fletcher, the set and costumes are by Stephen Brimson Lewis, the lighting design comes from Paul Pyant and the sound from Gregory Clarke. It's a Chocolate Factory Productions and Nica Burns production, and it's designed to delight.
What's the plot? When a young man with radical left wing political views returns home from Canada, he's horrified to discover that his mother is seeing a rich married businessman, Sir John Fletcher, serving as government Minister for Tank Production and playing a starring role in Churchill's War Cabinet. She is understandably torn between her lover and her son, who is furious about the relationship. The result is funny, absurd, breathtakingly cynical and wonderfully complex.
So far, so simple. But this production comes with a cool quirk – it's actually a blend of Love In Idleness and Less Than Kind, which was the play's original iteration. Why? It's a fascinating story. Less Than Kind was revised several times by the playwright through the latter half of 1944, eventually renaming it Love in Idleness, a version that was watered down thanks to demands by the starring husband and wife actors Alfred Lunt and Lynn Fontanne. Trevor Nunn has merged the two versions to brilliant effect, revealing the playwright's famously divided personality.
Eve Best has already enjoyed huge praise for her role as the devoted mother Olivia, played with a remarkably creative blend of passion and snobbery, and the results are often very funny indeed. Edward Bluemel is a sulky, moody and magnificent. Anthony Head plays the iron-willed Sir John perfectly, and Helen George's portrayal of Sir John's flighty wife is a delight.
The play makes highly creative use of old newsreel footage, revealing the deprivations of wartime but also showcasing the optimism that fell out of the Beveridge report's idealistic vision of social security for every member of the nation. If you enjoy a potent combination of pleasure, laughter and pain, this one is tailor made for you: intelligent, perceptive, and absolutely beautifully done.
Love in Idleness Official Theatre Tickets
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Love in Idleness Ticket Information
- Booking until:
Saturday, 1 July 2017
- Running time:
2 hours 45 minutes
- Cancellations & Refunds
Once booked, tickets to Love in Idleness are usually non exchangeable and non refundable as per our terms & conditions. In practice, however, we will do our best to accommodate your request as long as we are notified at least 48 hours before the performance. Please contact us for more information.
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Love in Idleness reviews
What to expect:
ActingMusic
Costumes
Story
Lighting
- Recommended for:
- Couples (90%)
- Theatregoers (100%)
Latest customer reviews
All reviews are from customers who have been invited to leave a review just after seeing Love in Idleness.
Please note the reviews below are from an old production of Love in Idleness.
verified
Funny with some very fine actingA Reviewed on 30 June 2017 by Anja
London, United Kingdom
verified
period, but interestingsome people will find this play dated and arch. Different from post 1960 theatre. But is clever. And gets better as story develops. Must have been radical at the time.
P Reviewed on 25 June 2017 by Paul
Witham, United Kingdom
verified
Vibrant and very well performed playThe play was lively and witty throughout and although set in the 40's during a period of turmoil and austerity there were echos of similar issues today. The acting was superb and anyone who has experienced living with a teenager will empathise with the principal characters. Perhaps the last scene could have been slightly shortened but overall a very enjoyable experience
M Reviewed on 18 June 2017 by Mary
Beckenham, United Kingdom
verified
A gentle, witty, enjoyable playWe really enjoyed this play, though I admit I didn't expect to. It was not a highbrow, challenging high-drama, more a gentle and amusing love story, with a great script and fabulous acting from Eve Best and Anthony Head. A thoroughly enjoyable evening, highly recommended.
S Reviewed on 11 June 2017 by Samantha
London, United Kingdom
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Feel goodP Reviewed on 04 June 2017 by Pat
Alton, United Kingdom
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EngagingW Reviewed on 20 May 2017 by Wilma
London, United Kingdom
2017
Review: LOVE IN IDLENESS at The Apollo Theatre
by Phil Willmott | Monday, May 22 2017, 08:45
Watching Trevor Nunn's funny and fleet-of-foot production of Love in Idleness, a "new" play forged by combining two drafts of an old play written by Terrence Rattigan that's been barely performed, is like a blast from the past.
Until the emergence of angry, radical drama in the 1960s every theatre in the West End would offer variations on its formula - posh people chattering away in posh drawing rooms, with a quick dip into melodramatic peril before leisured wit and privileged are restored. The overarching philosophy of most of this repertoire is summed up when a character quips that there's nothing that can't be overcome with "small talk".
Review: LOVE IN IDLENESS at The Apollo Theatre