Experience The Best London Theatre Tickets

The acting was absolutely superb and the costumes just marvellous! How they managed to change laugh out loud fun to deeply felt fear within seconds left me speechless and very moved. This will stay with me for a long time...

This was my 2nd time seeing this show + it was every bit as enjoyable as the 1st time. Full of fashion + stays very true to the Movie version, so enjoyable 😀

One of the best shows I have ever seen. I couldnt recommend it enough. Absolutely superb. The lighting is incredible. We had great seats too. Block K, end of row J. Great view.

Mama Mia is an energetic, upbeat show eith excellent acting great music in a wonderful venue. The show will have you departing in a joyful mode.

I know you cannot guarantee that Johannes will be playing Lola, but we booked tickets for a Friday evening in good faith hoping that he would be on that night. When Lola appeared and it wasn’t Johannes you could sense the disappointment in the audience but obviously the understudy was excellent and it made for an enjoyable show, but I had been looking forward to this for months and months and absolutely adore Johannes. We googled his absence in the interval and it states very clearly that he does not appear on Mondays and Fridays but that wasn’t made known to my husband when he put the tickets prior to Christmas so if you’re expecting to see Johannes don’t book a Monday or a Friday! Some of the acting was a bit wooden at times.

Robert Icke’s Romeo & Juliet is undeniably a beautifully crafted production. From the first moments, the staging establishes a tense, cinematic atmosphere: sharp lighting, carefully controlled pacing, and a visual language that constantly signals intelligence and precision. The production often looks stunning. Jon Clark’s lighting design in particular gives the play an eerie, almost haunted quality that elevates several scenes beyond conventional Shakespearean revival. What works best here is the dramaturgy. Icke clearly understands rhythm, tension, and theatrical architecture. Scenes transition fluidly, and the production rarely loses structural momentum. Even when the interpretation risks becoming overly stylised, it remains theatrically coherent. And yet, despite all this technical sophistication, the evening rarely lands with genuine emotional force. The central problem lies in the performances - especially the leads. While there are isolated moments of vulnerability and tenderness, the emotional core of the play never fully opens up. The production feels meticulously directed rather than deeply lived. Juliet, in particular, often comes across as mannered. Certain gestures and emotional inflections feel externally imposed rather than organically arising from the character. Instead of emotional immediacy, there is a sense of performance-consciousness: one becomes aware of the acting rather than absorbed by it. The same issue affects the production more broadly. Again and again, scenes build toward intensity only to flatten before they truly break through. The tragedy is intellectually framed, visually sophisticated, but emotionally distant. One admires the production more than one feels devastated by it. That is not to say the evening lacks merit. On the contrary: this is a highly competent, often visually impressive reinterpretation of Shakespeare. But theatre ultimately lives or dies through emotional transmission, and here the production remains oddly untouching. Icke’s Romeo & Juliet is a strikingly staged tragedy that is easier to admire than to surrender to.

Great show. I loved the way the puppets could say far more outrageous things than people can. I'd be cautious about attending with anyone who could be easily offended, but I'd definitely recommend it if you're not easily offended.

We loved the television series and this show echoed the same connection between the principle actors. Very cleverly done and lots of funny moments, visual and scriptural.

Kinky Boots was an absolute joy to watch. Fantastic singing and dancing and enough sparkle to decorate a christmas tree. Johannas and Matt Cardle both played their characters with so much enthusiasm and as expected Johannas totally lit up the stage. All the cast were excellent. Certainly a show not to be missed.

Really enjoyable,light hearted with a clear message just to be yourself. Perfect for younger and older adults who enjoy music as well.